Sunday, 2 March 2014

Stability in Place, 2013

   




 Stability in Place

 


Lea Schlatter ©
 

Lea Schlatter ©
 

Lea Schlatter ©
 

Lea Schlatter ©

 


Stability in Place

Stability in Place expresses an overlapping of narrative in a collective situation and acknowledges my personal presence in an unfamiliar space. Memories derived from my own childhood home affected my perception and prompted a more illustrative approach to the image making process. The incorporation of scripts from different authors blurs the line between documentary photography and self-expression.

The images that you are presented with are not true. They are a subjective representation of place and reflect an intimacy with the environment.

A ready-made sculpture incorporates the top of a camper van, balanced on a brick wall, held in place with a ladder. The series focuses on the found, poetic fragments that have remained from ‘their’ childhood. Its original purpose for construction, as a shelter for calves is no longer relevant.

Inventive metaphors exist through the objects and materials presented in the photographs. Their flexibility in the interpretation stage allows for people of different histories to come together creating a sense of migration. This movement or psychological shift is my interest in the series and is shown through the moments and sculptures that I have selectively photographed.

 


Monday, 2 December 2013

Recently Exhibited - Could You Be More Specific?, 2013

 

Could You Be More Specific?

 


 Lea Schlatter ©


EOY Statement:

Could You Be More Specific?


The work is the result of a behind-the-scenes dialogue, questioning the commercial conventions of a photo-shoot. As a starting point, the model was directed by the photographer through a series of traditional poses. This is where the model asked the question, could you be more specific?

Collaboration requires improvisation and direction. Within portraiture, there is a question regarding the level of control that is handed over to the sitter.

The resulting movement became an adaptation of these poses and embodied an element of self-expression. The relationship between aspiring model and photographer includes a fluctuation of agreement, disagreement, success and disappointment. This mimics the balance of a commercial setting where such implications have the ability to generate images containing an unintended outcome. The model's point of view within this psychological space provokes a result that informs the creative collaboration within a constructed situation. 





Sunday, 11 August 2013

Recently Exhibited - Dead Colour, 2013

Dead Colour


 
 Lea Schlatter ©




Running the history of being a once proud patriarch,
the lust for power is shifted by the primitive drive for control through representation. 

Preserved to fill an empty space, is it a trophy for the hunter or an act of admiration for the object. 




Last Days Exhibition
- at Pearce gallery











   
Other works by: 
Emma Anderton
Allison Johnston
Victoria Cullington






Tuesday, 25 June 2013

Recently Exhibited - Unspectacular, 2013


Unspectacular


Lea Schlatter ©



Lea Schlatter ©




These images hold relevance when re-experienced with a sensory familiarity. My gesture attempts to provide a description of what happened. While the props exist within the space, they are there incidentally and dictate the story.

Is it the way it is draped
and the way it sits there
Is it the shyness and the fear that reflects the memory
disembodied from the actual event





Midyear exhibition 

- at Pearce Gallery








  

 




 






Other works by:
Libby Cavenett 
Cecilia Morales-Flores
Chloe Kay
Vera ShaoYing Lin

Monday, 24 June 2013

Lottie Hedley and Ingvar Kenne

Lottie spoke this weekend at ImageNation and I was very fortunate to have been there. She is a fantastic young NZ documentary photographer. As a student trying to make my own way, I found her talk explaining her Journey resonated with me the most.

Above image - Lottie Hedley ©

It's not just her beautiful and meaningful photographs but the way she spoke about her past that was really inspiring to everyone in the room.
Her photographs come across as an honest representation of reality whilst resembling her presence in the space at the same time. There is a warmth and honesty to her documentations of the real world.

You can visit her blog here
http://lottiehedleyphotography.wordpress.com/

There was a lot of talk this weekend about community where Lottie introduced that idea of 'finding community'.  

I also felt there was a similar thing going on when listening to Ingvar Kenne and hearing his Journey.

 

With both photographers I appreciated being able to hear their story from the beginning up to now.

 Above Image - Vincent Young ©       Ingvar speaking at ImageNation



 Above Image - Ingvar Kenne ©    ingvarkenne.com


I think this ImageNation conference was successful as each speaker seemed to have the ability to shift your thinking into another world from the previous speakers situation, whether they were documentary photographers or advertising photographers that heavily construct and manipulate.


My mind switched between thinking images as a result from large sets with big production budgets were awesome (Like those of Alexia Sinclair and Tony Drayton) to believing that a simple snapshot of a place of significance can explain everything. Of course neither of these approaches are simple and none are overly complicated. Both approaches tell an important story. It is the feeling of being in a room where these two styles can co-exist that is so exciting to me. Being a good photographer, I think is about story telling and learning the ability to do it well. Or perhaps it is the ability to interpret the images you make. Maybe that is the difference between 'a photographer' and 'someone with a camera'. In photography, we no longer just make images but we share them and talk about them.
 

 Above Image - Vincent Young ©      Alexia speaking at ImageNation


We shouldn't categorize ourselves into different genres such as an advertising photographer and a documentary photographer because interesting things start to happen when these overlap, or at least when you make an effort to consider the other. 



 

IMAGENATION

Professional Photography Conference

This weekend I had the chance to meet many amazing people with this years conference being even better than last years.

I'm going to tell you about some of the things that I learned ..

 




Thursday, 20 June 2013

SAMPLER

Group Exhibition containing some of my work 

- In Whitecliffe's Pearce Gallery







Photographers:

Chloe Kay
Lea Schlatter
Victoria Cullington
Cecilia Morales-Flores 

Allison Johnston
Libby Cavenett 
James Black